Author: fictioningdevelopment (Page 7 of 7)

Is the Marriage Market Stillborn?

‘… If the bride price is not paid, the bride will die at childbirth’. These words thwarted every ambition for happiness, books (1)progressive living and well-being for the character ‘Akunna’ in Buchi Emecheta’s ‘the Bride Price’. The author used this work as a medium to explore several social issues of which for me, the marriage economy falls into. The theme focused on the politics around establishing a marriage in our society. An important strand in the conflicts it projected is the contentions around the dowry. One will ask why the bride price of a woman is so important. In ‘Akunna’s 400_F_49638666_kfrIsxJnFg2vQurfpzWy2XHMd8ddqzARexperiences, we see a poignant story of faith in the economic difference being educated can make in a woman’s bride price. Through several social upheavals twisted along cultural lines, this work does not just expose how cultural beliefs can rape the mind. It adds to the existing body of knowledge that reminds us of the importance of marriage, not just for meeting physiological needs, but also for its economic benefits as it indirectly contribute to the local economy of people.

According to Margaret Mead, marriage is a socio-economic arrangement where consideration is made of wealth, class and job skills wealth of the man and woman. For better or worse, marriage for Akunna’s society had more than a social relevance. While it is portrayed to be protecting a withering culture of class and caste, the relevance of any victory the ‘Ibuza’ culture might have had in this work is most conceivable in today’s world from an economic lens.

It is not in doubt that marriage is the lifeblood of the economy. Believe me, where the economy is, that is k1312803714413356-3d-marriage-word-sphere-on-white-backgroundwhere all governments pitch their tents. This is proven through by the realities of the over-protectiveness of the rules of engagement for the marriage institution by many states in the world. Within international development, civil right debates are dominated around issues on whether gays and lesbians should be allowed to get married or not, arguments have been made on the emotional and cultural implications of this. Most interesting is the economic dynamics of this new paradigm to private and social benefits. But the fear for the unknown impacts of legalizing non-heterosexual union decades away keeps the decisions hanging. All of this speaks of the importance of marriage to the local, national and global governance.

While many states consider the pressures of legalizing homosexual marriages, most African countries like Nigeria do not find it a images (10)threat. So I am often caught in my thought wondering what the consequences are for my country and others alike.

While the pressure pots are yet to hit our constitutional door steps, shouldn’t we first of all soften on the stance of whether gays and lesbians should get married and worry more on what is happening to the commitments at the heart of the already established marriages?  What in the society has influenced the increase in divorce rate, the desensitization of stigma around single parenting, the delay in age of marriage and more so the rising choices for homosexual relationships? Is there a collision of forces? what precisely has influenced this paradigm shift on the part of men and downloadwomen to produce a loveless economy laced by rising impression that marriages is bond-less and a terminable institution?

Commitment is the core of every marriage. The global economy is driven by sexual, emotional and other forms of commitment between two (or maybe more) people. At the induction of every marriage commitment, a tree of economic growth is planted that increases many sectors of the economy. Need I say that marriage has been the springboard for producing a nation’s labour force? But that core, is threatened heavily, so is the economy.

bld016719Many elucidators have given numerous perspectives in response to the evolving trends; some have charged falling sex ratios, changes in supply and demand balance, rise in age of commitment, amongst others. But then, different societies may have their account of what is changing the pattern of the wind that drives marriages.

Zainab Alkali’s ‘The Stillborn’, gives an insight which may account in certain ways to the position of young women. It represents a 51QTyupPXRL._SL500_AA300_shift in mindset that has organically taken root coming from a disenchantment of a failing marketing approach. De Beauvoir states that ‘marriage is the destiny traditionally offered to women by society’. Marriage is a woman’s destiny, and the hunger to fulfil that destiny injected into every young woman is reinforced with the carrots of a heterosexual intensely romantic relationship dangles just everywhere. With all naivety, the character of ‘Li’ in ‘the Stillborn’ hung to the dream of a romantic marriage that will provide material and emotional support and be the answer to all her problems. In ‘Li’s theory, all she had to do was provide him sexual satisfaction, cook his meal and cuddle him to her breast, and then the dreams will come true.

love-carrots-low-res-iStock_000013121473MediumLike her friend ‘Faku’, these women became disillusioned as their belief and faith in marriage meeting their needs remained a stillborn. Marriage was not a Siamese twin relationship where their heart beat together and two halves made a whole. They had believed a lie, for them, pursuing the promises of the carrot was like chasing a moving target. Finally, there is a shift in mindset for the women and a redefined approach to seal the cracks on the wall of their life. Their new understanding redefines marriage and their expectations; it recasts the patriarchal society and the favoured role given to men. Questioning conventions, ‘Li’ uses her new mindset as a weapon of self empowerment.

Such disillusionment and rapid changes in the economy has raised many daughters of ‘Li’ who see it more practical ???????????????????????????????????????for educated single women to sustain themselves and their children without a man’s help. The traditional value of marriage keeps withering away by the day, in the mind of a man, maybe the character of ‘Habu’ saw commitment to ‘Li’ as a constrain, controlling and confining him to the eventual robbery of his masculinity.

Like gold, diamond and currency markets, the marriage market can suffer swing in prices with small changes to the supply and demand ratio. Such swings can be caused by a changing perception. In the case of marriages today, the swing hits strongly at the level of commitment given by individuals in the institution and those outside.

10318535-married-couple-bride-and-groom-figurine-inside-a-roll-of-us-dollar-banknote-bills-isolated-on-whiteThe lack of that organic growth in the culture that sustains marriage in the heart of people needs attention of everyone interested in sustaining economic growth driven by marriage.

Succinctly, this review has not given an explanation of what is happening to marriages, it only suggests and adds to existing perspectives using works of fiction. The views that the characters in ‘the Stillborn’ conceptualizes may again give insight on how to progressively focus on sustaining our socio-economic development, considering that individual and family patterns fit into larger socio-economic structures of our society.download (1)

Nonetheless, how high the demands for marriage will be in the future will depends on what approach of  development each person and the society adopts. If we choose to consider a holistic approach that prioritizes the well-being and happiness of the people, the marriage concept may suffer a shock as individuals will define marriages on the backdrop of happiness, self esteem amongst others. But if we choose economic approach, then it may continue to survive just the way it is.

-Written by Adaobi Nkeokelonye

Marriage is a Private Affair

images (5)‘… when it comes to marriage, it’s not that simple’ Nnaemeka said in Achebe’s ‘Marriage is a private affair’.  Iimagese  believe him, considering the different dynamics the marriage concept has produced over the years. Marriage permeates almost every culture and society in the map of humanity, promoting sexual, emotional and other forms of commitment between two (or maybe more) people. That commitment in itself has serious implications to the economic development of a people. It has continued to thrive through many decades and centuries. But in the wind of change, many things wither.

It is amazing to see how like humans, social concepts evolve and change. Marriage too has changed. In growing up days, we were all children of two parents. The only kid who had just a mother had lost his father not long before. As the years rolled on, more students images (6)had one parent and later in life when I visited homes of friends, their parents were more of house mates and that commitment that bonded many marriages was fast withering. More so, some mothers I knew were never called wives before their children came forth.

In this era, the increasing rise of homosexual marriages is undeniable. The changes also spreads to parenting. Few years after Elton John and his husbands’ adoption denials caused media frenzy and increased awareness on homosexual parenting thereof. There are so many intersections to this issue and I cannot exhaust them.

images (3)Whether or not we choose to acknowledge marriage as an institution, it sure has lots of benefit and administrative convenience going for it. Married workers are considered more productive, hence marriage benefits earning. Marriage gives automatic inheritance rights and grants social security benefits. It protects and can reward your emotional investments when things don’t work out unlike when you just date. There are many more unspoken advantages of being married than I know of.

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This week, I am reviewing this concept through works of fiction to help elucidate the politics and drivers of the marriage concept. On my table already is Achebe’s ‘Marriage is a private affair’. Suggestions of other works of fiction I could consult will be highly appreciated.

Who wears the mask?

my.vanderbilt.edugoodpersonpublicationsThe column this week is aligned to the last post. It’s no coincidence that I  choose to be responsive 20130225_IOM_307to an issue that had reoccurred in the media last week. International media captured the ongoing debate on the sex trade law between the United States government and organisations that benefit from the PEPFAR (Presidents Emergency Plan for Aids Relief) funding. Prostitution remains a controversial issue, little wonder I struggle to get an appropriate definition for it.  Hmm… That flesh for cash business; anyone that buys or sells the flesh for cash is a prostitute. Did I hear you say I am wrong? Speaking jocosely, you must be an American politician, a man, a moralist or a judgemental person to disagree with me. You can be everything else but not one of the three gods of Setzuan or Shen te the renowned prostitute.

In the stereotypical way of engaging the issue of prostitution in many societies, Bertolt Brecht Photo by Johny Knightpresents ‘Shen te’ (alias the Prostitute) who lived in ‘Setzuan’ (an imaginary city in China) and relates with masked men. (I say masked men because we rarely know who patronizes a prostitute. Maybe because they are ignored being that their involvement is inexorably, a force of nature that is above the law.) With his noted style of using masks in his work, the writer presents an interplay of characters and scenes that gives insight into survival sex work and the poverty that drives it.

In a time when good nature was rare and the laces of poverty littered everywhere, three gods visited Setzuan in search of one good person. Contrary to the ideals we may expect, the search of the gods yielded ‘Shen te’ as the finest human being in the capitalist impacted city of Setzuan.

In Bertolt Bretchs work, Der gute Mensch von Sezuan literarily translated the good woman of Setzuan; we see a society existing in cycles of poverty. According to Wong (the water seller) there is ‘nothing unusual about poverty’ here. In Setzuan, we are reminded images (1)that goodness and capitalism cannot coexist. The characters in this play proved that evil and criminal acts are necessary for a capitalist system to survive as they grease its wheel. The three gods suffer a dearth in their search because there really may be no good person existing in such a system that is not corrupted by the obscenity of capitalism.images

One begins to question how goodness and morality alike should be prioritized by an individual in the face of hunger, lack of shelter and all the needs that comes with poverty.  How also does a state cladding a capitalist coat suggest that morality should loom over policy decisions that govern issues like prostitution which in many cases, is a detritus of immoral capitalism? A good case in point is this 2003 anti-prostitution law of the American Congress which has not been reversed.

The Anti-prostitution law reads that federal funds may not be used to ‘advocate the practice of prostitution’ or ‘provide assistance to any group or organization that does not have a policy explicitly opposing prostitution’. Hence it requires that all PEPFAR beneficiaries take a pledge in accordance with the law against prostitution.  The United States is the largest governmental donor of HIV/AIDS funds in the world, hence taking the pledge or denouncing it has huge implication for global health. Prostitution inarguably is a strong component in the fight against HIV/AIDS and the broader challenges of Human Trafficking issues amongst others. This cobweb relationship is inextricable and therefore any policy intervention that ignores it is problematic. Engaging this from a law and policy perspective of international development, the review of this law is neccesary. Through the past week, media has captured activities focused on this as the Supreme Court responds to the amicus briefs filed by UNAid and other organizations for its reversal.

httpwww.lowbird.comdataimages200903girls-love-thief-in-the-mask-012931.jpgIn America, likewise many other countries where prostitution is illegal, the laws are based on ideologies which are morally inspired, lacking sincere grasp of realities. The moral ideologies are often deflated by the verity on ground and compounded by the strategies adopted in implementing the law. Many times through enforcing our law, we discriminate participants in the skin trade by continuously masking and protecting the recipients, and prosecuting, humiliating and stigmatizing the service providers. More women have been victims of this unfair rule except for rare situations where men like the morally upright Elliot Laurence Spitzer (the past governor of New York) are exposed for political gains.

It will be short sighted of me to say that the solution for countries that criminalizes prostitution is in adopting a more holistic approach that equally engages both the supply and demand angle of the flesh for cash industry. Short sighted because I think there is need for the policy makers to understand the intricacies and drivers of the sex trade market. Prostitution in many cases is driven by poverty which must be addressed. It’s also worthy of note that prostitution is an addiction, a means of livelihood, a coping mechanism, a hobby amongst others.

Bertolt Bretchs dramatizes poverty and survival sex as a driver for ‘Shen te’ who proclaims that ‘I should love to stay with one man… stock-vector-teardrop-a-woman-touching-a-masked-man-the-characters-and-the-background-are-on-separate-layers-37520596I’ll like to be good but surely there’s rent to pay’. Cyprian Ekwensi’s narrative in ‘Jagua Nana’ presents us a psycho-social case in point in understanding the drivers of prostitution within the urban African society. With the Character of ‘Jagua’, we find a young woman whose sojourn into the skin trade sprang from her restless spirit and a search for adventure.

Though written many decades ago and representing different social contexts, the two writers through their characters, show that empowerment and new preoccupations can wean women off prostitution. The high point for the two protagonists is seen in their shifts into trading and becoming more useful to the society. While ‘Shen te’ opens a tobacco shop and becomes the angel of the slum, Jagua also goes into socially profitable ventures.

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If Americans where gods, they will judge Shen te, if they had the power, she would know no empowerment.  Many thanks to the absence of PEPFAR in Setzuan, Shente got a new life as the angel of the slum who ran a tobacco shop.  The three gods of Setzuan were clearly non-judgemental,  It appears reasonable to look beyond the actions of a prostitute and focus on the intent. In the face of stinking poverty and lack which gnawed the three gods in Setzuan, the mask of morality dropped. The gods empowered ‘Shen te’ not on the grounds of morality but that of necessity. Where the gods to be judgemental,  their own morality will be deciphered and hence they will be found wanting for sharing shelter with a prostitute.

Through his master piece character ‘Shen te’, Bertolt Brecht calls for us to think outside the conventional box, it persuades a thorough consideration of many issue of obscenity far and above prostitution. A moral law against prostitution may be ideal but should not be a precondition toimg_125927872942_49207_eventoriginal sustainable development interventions. Apart from a possible negative impact on global health, another implication is that some people’s livelihood will be set on fire, children of prostitutes will walk the streets and yet the world will worse. Rather than shut the door on their faces, we must think of how to shelter them. Maybe replacing a law against prostitution with a law against poverty and inequalities can wean those to whom the flesh for cash business provides bread and butter.

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A wordle generated specially for the series on prostitution. I have been inspired by the many names I could derive from sex trade.

Jagua Nana’s Daughters

Some topics make you have premature writer’s block, not because you don’t know what to write about but more because you suffer15027760-masked-man-portrait a creative blockage in struggling with how to take it on. This I experience every time I try discussing  issues around  the Skin trade. Where does one start from? do I hold on to the faceless clients of the sisters in the red light district or do I talk about their pimp? Maybe I should focus on the sisters and brothers of the brothel who have been mercilessly judged in different mediums or do I focus on the law that criminalizes or decriminalizes them? As is the case in life, you have to play a game of letting go and holding on at different times in order to gain balance. So I decided to play a game, the game of naming. The world calls the flesh for cash business ‘Prostitution‘ but there are many more names than one can imagine that takes its bearing from this sector. To get started, I went for a wordle game that will help me appreciate all the names I know referring to this controversial profession.  This is what I produced.

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While its amusing to see how much name can be derived from one sector of the economy, I must agree that this has charged me up.  Worthy of note is the fact that for once on this page, the client of the red light district is not masked, he is called ‘John’.

jagua_nanaI explored Cyprian Ekwensi’s ‘Jagua Nana’ recently and I must say it was ingenious in many ways especially when I consider the time it was published. I cannot help but link its characters and narratives to the realities of prostitution in our world. Prostitution is dynamic in the sense that the sentiment around it is very relative. In many countries, I find that it is legalized and regulated, but isn’t it astonishing that ten most happiest countries in  the world’s  are places where the skin trade is legal? From Sweden, Denmark, New Zealand, Norway, Ireland, to Canada, Belgium , Switzerland, Finland and the Netherlands,  we find that most of the world’s strongest economies legalize the flesh for cash business. On a lighter side, I wonder if it could be a recipe for a happy and economically strong country?

In America and most of Africa, prostitution remains illegal. In fact many commercial  sex workers in Africa are known to engage in survival sex as a result of the poverty they experience. But this is not the case for ‘Jagua’ in Ekwensi’s Novel published in 1961. Having been pressured to marry a young man in the coal city, her marriage was no bliss as infertility loomed over for some years. The strains of infertility coupled with her stifled feeling of carrying on with the role of a house wife led her to the train station and thus her  journey on the Lagos fast lane began. Jagua was not presented as a victim of poverty, neither was her husband poor,  her drive for the skin trade can be judged as a product of adventure.Maybe in our generation, it will be tagged  ‘coping mechanism’.Talking about being in the skin trade as a coping mechanism, Suzy Favour Hamilton comes to mind.

suzy-favor-hamiltonI do not remember Mrs. Hamilton for her masked persona, I remember her as the Olympic medallist, a hard working woman who has achieved so much that we should be proud for. However, a phenomenon relevant to this discussion is well captured in her life’s experience. When she said she had mistakenly joined the sex trade as a coping mechanism against the challenges around her life, it got me thinking. She precisely gave me a mental shift towards the understanding of the drivers of prostitution. She provoked a thinking outside the conventional box of what could make anyone engage in the skin trade. While I still try to probe further, her statement on her disgust for the ‘JOHN’ that broke the honour code and exposed her made me stop.“I can’t expect you to understand, you aren’t in that world… you don’t know this world. You’re making judgements on what you see on television or what you perceive,” she said. Now I agree that some things are not meant to be understood. Even as I hate that she alone was exposed, even as I feel its unfair that  the face of this JOHN did not splash on the screen and in the papers like her’s, and no one asked for him, I may never understand w6323246-carnival-mask-close-up-to-masked-womanhy.

 Jagua and Suzy alike makes me think that there is need to understand the intricacies of this sector before we engage in naming it or better still executing the trade.What does this have to do with international development you may ask? Everything from global health  to unemployment, Human trafficking and poverty amongst others. In the wake of high HIV/AIDS prevalence, trafficking of young women and abusing their right to freedom, with litters of poverty all around us, this issues must be faced.   Hence we must think  and think again, in the light of what we know about the different perceptions of prostitution world over, should it be eradicated or should it be managed?

Models of Femininity in Africa’s Popular Fictions

imagesI would think of a woman’s body as a battle ground you know, but it’s not only her body, it’s her identity and her dignity. Writing this week’s column, I thought about what makes a female a woman.  I realize how many times I hear that word ‘…like a woman’. It’s either talk like a woman, sit like a woman, behave like a woman, dress like a woman… On and on it goes. I began reflecting through my first paragraph;

‘Woman! Thou art only a ribbon taken from a man’s chest. Your worth is in your dowry, your honour is in your virginity, your pride is making a man’s tummy quit rumbling with your sweet meal, and it is in sexually massaging his ego by giving freely of yourself. Your respect is in being called a wife. That is the story of your life and so has it been.’

To be a woman, you have to become an appendage to a man; this has been the predictions of our literatures from the times Things fell apart through to the days of the Lion and the Jewel. Even the Gods are not to blame for this as men alone told the stories. And what do you expect if our husband has gone mad again? He will write in a language of patriarchy, painting the world only in the colours of black or white. There is never a grey colour in between or any other colour.

This remains a burning issue in international development; gender equality! It has become an analytical category for virtually everyk3468324 development activity. We have made a gender case for domestic violence, for agriculture, for health and every other constraints of progressive development around the world. I know many development practitioners like Gloria Steinem, are feminist. They hope for a future where everyone’s individuality and dynamism has expression without discouraging the balance of human right. Thus we continue to appreciate studies that explore the constructions of femininity and masculinity to know precisely where to focus our interventions and alter some undesirable realities in our society.

In trying to bridge the gaps between fiction and development on the issue of gender constructions, I took a look at how femininity has been modelled in our works of fiction. Works of our renowned authors Ola Rotimi, Chinua Achebe, Wole Soyinka amongst others were ??????????????????????????????????????explored. In their books grown women carried the pot on their heads as Obiageli in ‘Things fall apart’, twisted and untwisted their The Gods Are Not To Blame tnwaist with the smoothness of water snake like Sadiku in ‘The lion and the jewel’, competed and fought their sisters to own the man and capture his straying affection like Lizzy and Sikira of ‘our Husband has gone mad again’. Indeed, women in the era of these works were presented as having small brains, as tools of reproduction, they were possessions of a man, bought and sold by men, promoting polygamy, caressing the man’s ego and enhancing his social status. The characters of Sidi, Sadiku and Ailatu, showed that women helped men build their world. They were defined according to their responsive roles to a man and their domestic diligence. These women were always docile; rarely did they show excitement or speak from their depth to the audience in a voice that conflicts the constructions of femininity portrayed above. I have wondered why there was no woman that sometimes felt like screaming, that told her husband when she did or didn’t want sex. Was there none that sincerely got tired of her marriage sometimes? How about sharing pain and the joys of motherhood? Then I remembered that when men tell the story alone, history is altered.

Flora Nwapa’s ‘Efuru’ came into the literary stage capturing an exact voice for women, be it when they spoke of love, malice or anger. Then Buchi Emecheta was like a breath of fresh air. She brought to the scene a new model of femininity presenting women whose destination was Biafra, who could tell ‘the joy of motherhood’, who shared the pain in being ‘second class citizens’, who were working 11613648-african-womanhard to sustain themselves even though it meant increasing the value of the bride price. Feminine models who questioned conventions burst the scenes. ‘God when will you create a woman who will be fulfilled in herself, a full human being, not anybody’s appendage?’ Nnu Ego cries out.  Emecheta’s belief in individuality of human beings showed in her feminist view that laces all her work.

Reading through some of them three decades after they were published, it echoes strongly the thoughts of more women in this generation than in the era it was written. I am tempted to say that most of Emecheta and Nwapa’s works were forecasting and portraying different models of femininity in the future. It is a future where most women like ‘Amaka’ in One is not Enough will express their frustrations and speak out precisely for what they want. ‘… I don’t want to be a wife anymore, a mistress yes, with a lover, yes of course, but not a wife. There is something in that word that does not suit me. As a wife, am never free. I am a shadow of myself. As a wife, am almost impotent. I am in prison, unable to advance in body and soul… I don’t want to go back to my ‘wifely’ days. No, I am through with husbands. I said farewell to husbands the first day I came to Lagos.’joysofmotherhood

But how have these models impacted the world of today’s woman? Does Buchi Emecheta’s work represent a certain calibre of women while the depictions of the male authors represent another? Do we have an eclectic combination of the above models in today’s woman? The latter may be the case as our women still set very high premium on children even where they reject the roofs of patriarchy looming over the marriage institution. Like Debbie, many are tired of playing the prescribed wifely role but may play it until they know the joy of motherhood. While morality hangs on conventions of the femininity of the past, it is not seen as a strong driving force for the choices that women make today. Motherhood remains a drive in the definitions and identities women give to them self. It creates the space they need to live a fulfilled life and often their agency is expressed strongly through it. Hence being a wife is still important and honourable but is less honourable than being a mother. That seems like the story of today’s woman.

400_F_42582281_ZUNp1Kbliek4wVQ5lOoVIw9WSABV14qQIt’s amazing how two roles a person plays can strongly define the dignity of an identity. In Flora Nwapa’s character ‘Efuru’, we see how all of her success collapses under the weight of not being a wife or a mother according to a divine order. While being a wife and a mother is a role females can choose to play, it has strongly defined the identity of every female making them worthy or unworthy. I would begin to wonder how happy a female can ever be if she were none, can she just be a woman without being a mother or a wife or does it make her less human? This is the burden of identity women carry through their lives as they live in societies that hold the values that the authors have portrayed in the literatures above. Maybe one radical act a female may adopt, is to claim ownership of her body and her identity, but it seems we were groomed from the cradle not to.

-Written by Adaobi Nkeokelonye

How fiction movies shape Masculinities

AE-WordCloud-MaleCartoonCharacters-TV-Movie-WebSizeStill on the issue of Masculinities, I extended my thought on how fiction movies have shaped  or reinforced the choices we make on how we perceive and project our identities. This is very important as movies like books carry similar weight when it comes to their power of influence. I remember watching the Godfather which I never finished. Many of us watched the Gladiator, Rambo,  the good the bad and ugly and so many more movies that have glided through our screens at some point. The Cartons are no exception, from Cinderella to Pocahontas, the Wizard of Oz , Beauty and the Beast, Mulan amongst others, they kind of presented icons with identities we ought to adopt.  The picture of Superman, Aladin, Captain Planet and others are unforgettable. Like Colin Stokes, we may also ponder seriously on how much of identity is borrowed from all these characters.  It may not go without disagreements as this has been discussed in different quarters from a positive and negative perspective. Critics argue that art and story telling should not be blamed for people’s choices. While we continue as fans of many of these characters, Colin Stokes elaborates on how movies teach manhood here3322479736_1edf556409_o

Things Fall Apart: Modeling Masculinity

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1231947178e6SVpwFiction writer Paulo Coelho once twitted a question asking ‘What do you consider a ‘real man’ though?’ It evoked many responses. Thinking through, it occurred to me that a real man might be someone who can provide for his family or maybe someone who can impregnate a woman or be sexually in charge like Baroka the chieftain of Ilujinle (in ‘the lion and the jewel’). Then I thought I might want to see a real man as one who has a good head on his shoulder. What makes for a good head and how the shoulder carries that head is yet to be ascertained. I have thought through many men I know to find a ‘model man’ that has stood the test of time but my search suffers a dearth. Indeed all things fall apart, that precisely is the fate of life.

Things fall apart, Chinua Achebe’s magnus opus became my focus for its conceptualization of what many of us understand as a ‘man’ through the character of Okonkwo. In my memories, Okonkwo is one man that equalled so many. He graced our reading tables through novels and our television sets in the 1980’s.

okonkwoUnlike Unoka his father, Okonkwo was the heroic wrestler, a stoic clan leader, economically mobile through resolute hard work, tirelessly toiling the earth, sexually in charge enabling him to take over Ekwefi who was another man’s wife. He is the funder and defender of his household, father to male and female children, owner of lands, and the companion of more than one woman. Though showing flashes of affection, he didn’t subscribe to showing mild emotions even after a machismo slashing of his son’s (Ikemefuna) head. If it was not a show of extremely aggressive emotions like beating his wife and children, fighting for his culture amongst others, then it was too womanly for him to identify with.                                                                                                  The brutally fearless  Okonkwo in different ways had a presumption of what a man should do, have, and be like. It is seen in his assumptions that his son Nwoye is (feminine just like Unoka) having the predilection of a woman.  Ironically, his daughter Ezinma in her sickly body had ‘the right spirit’ of a man.

Chinua-Achebe-71 In Okonkwo’s ideologies, there were indeed men trapped in women’s bodies and women trapped in men’s bodies. His ideologies extended to religious issues where part of his anger with the Christian God is because it was feminine; men are living fire, women are the impotent ashes so are the Gods alike. He hated everything feminine, including living with his mother’s people on exile in Mbanta after committing a female crime in Umuofia. He hated Egonwa for being feminine and discouraging a war against the white

Set in the land of Umuofia where they had male and female crimes, the character of Okonwo in Chinua Achebe’s ‘things fall apart’ is an exciting model of masculinity in the world of literary fiction. The character of Okonkwo is well put together in an admirable way encapsulating the resilience of the Igbo man (if not Igbo people). Though years have passed, yet Okonkwo is an idol to many, sculpting many expressions of a ‘man’ in our society today.

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More than before in development, interest on the constructions of masculinity has risen. Institutions are trying to decipher precisely how roles and identities collide to produce what different societies call a ‘man’ and the expectations thereof. This is traceable to many gender influenced crimes that accrues into the abuse of human rights in recent times. At the centre of such is gender based violence manifesting its self recently in the violent rape of women in different parts of the world. The gang rape of Jyoti Singh by five men struck a cord with the media amongst other and galvanized huge rage in the international community requesting that the anti-rape laws be revised. This raised questions and actions as it is seen to emanate from a lack of respect for the women by men.

Looking at the character of Okonkwo and considering his many protege in the light of international development concerns, some pertinent questions come to mind. Given the time and the number of years that Okonkwo has lived amongst us, has masculinities been redefined or its still primitive covered by modern clothing? How is the adoption of major traits in this model fracturing the human right of individuals in our society? What are the possible pathways it presents and how sustainable is it? Will the dance of time predict new models of masculinities for future generation or will they remain Okonkwo’s protege?

17097444-exhausted-african-man-sitting-in-chair-over-white-backgroundIt is my theory that maybe following Okonkwo’s model of masculinity may give insight into why men have shorter life expectancy than women. I also agree that the strength of Okonkwo’s model of a man is fragile, being built more on roles rather than identities. This way, many external factors can impact negatively and rupture its cells.  The struggle with the Gods over ownership of Ezinma (the only one with the right spirit of a man amongst his children), connotes the struggles of defining masculinity. This might be suggestive of the fact that the masculinity Okonkwo sought may be phantom and may only be found in dead men or the unborn children.I may get it wrong, I am however open to learning…

-Written by Adaobi Nkeokelonye

Fiction and Development

 -Written by Adaobi Nkeokelonye

Remember reading about  Erin Gruwell and the 150 students who used writing to change their life in ‘The Freedom Writer’s Diary’, it demonstrates the power of writing as a tool for social change. Similarly, I could understand why writers are often the enemies of tyrant governments around the world. The unrest created by their work is a proof that the act of  writing can be an emancipatory force for change. Like painters, writers weave words together to create colours, lines and stories that are undoing silences in many societies.

All I learnt about the Nigerian Civil came from stories, novels, poems, dramas amongst others. ‘The Casualties’ by John Clark2Pepper Clark brought the realization that I too was a casualty of a war that hit the dust long before my birth. My knowledge on different cultural practices have been highly influenced by writing of people from different landscapes. Most of these works have been fictional, making secret the names of people and places they wrote about but yet one can understand their message, as though belonging with them.That is the strength of literary fiction in passing knowledge.

In the wake of many development issues which has become a global challenge, I have begun to ponder on the power  different works of fiction have in dispersing knowledge on international development issues. How have they presented the alterations in social structures in our society in the past and present?  How are they forecasting the changes in nature, in the future of our social institutions, and life in general?

The need to explore these questions further gave birth to a column on Compass Newspaper (a Nigerian national newspaper) of which this blog springboards. In the first edition, we considered how “Fiction writer Peter Abraham envisioned a new country, through his work ‘Tell Freedom’

6568430-MHe landscaped an egalitarian society that will break out of a womb infested with racism.  His work gave insight into the social structure at the time of writing, depicting strongly in his narratives what it was like to be caught in the skin shades of white, black and in between”.

 The works of Ngugi wa Thiong’o  was mentioned exploring  the impacts of an imperialist type of governance in his historical fiction ‘Weep not Child’. It has been stated that Mau Mau uprising arguably set the stage for the Independence of Kenya. ngugi1The intricacies that played out and the different masks the organisation had worn over the years in the anti-colonist turmoil were represented in the intrigues of ‘Weep not Child’. Capturing the hopes of a character Ngotho, he characterizes the saviour of the Kenyan people as the son of their soil and no longer the British Colonist. In this way, one will arguably say that ‘weep not child’ held within a prophecy of the future governance of Kenya. The emergence of Jomo Kenyatta as the first president of the Kenyan republic is arguably a testimony to this.”

Not forgetting to mention Chinua Achebe’s ‘Man of the People’, it represents a post colonial Africa and principally Nigeria, where corruption and conflict of interest had become the order of the day amongst leaders. Most striking of this work of fiction is its climax in a coup d’état which arguably gave it relevance as a prophetic piece predicting the near future of many African countries. Shortly after the publication of this piece in 1966, Nigeria survived series of violent transitions very similar to the one that our dear Chinua Achebe had written about.

Away from the African landscape, consideration is given to the renowned work of George Orwell in Animal Farm. Animal farm was an anti-soviet work of fiction personifying different leaders of the Soviet Union revolution at that time through animal characters like ‘Old Major, Napoleon, Snowball and others.

animal-farmThe deliberate use of  pigs to characterize the ruling class is indeed offensive to the dictatorial government of the Soviet Union in that era. In retrospect, the use of animal characters by George Orwell at that time goes to tell of poor human right practices restricting freedom of speech as is today against the International human rights law. This in all speaks of the impacts of totalitarian indoctrinations as even educated people are unable to express their true opinions in this landscape and others where democracies are weak.

These examples show that fictional works are not just a figment of a writer’s imagination created to amuse and entertain readers. Literary fictions have catalysed changes in development and are continuously acting indirectly as custodians of history. A line up of different historical period in the life of a society captured through their fictional works can contribute hugely in deciphering a pattern in their development or under-development, it will also portray their responses to social challenges at different times.

International development issues are seen from multidisciplinary binoculars as they cover huge areas like governance, environment, human right, poverty, amongst others. All of this have been presented in different platforms, most especially in academic and policy papers.  Perhaps for its lack of quantitative data, literary fiction remains questionable as an authoritative source of knowledge in the field of development.

However, I imagine that how  literary fiction has contributed in giving context to social concepts, explaining patterns of qualitative changes in different social frameworks, can be explored using relevant works of fiction. In subsequent posts and editions of the fiction and development column, I intend to make inferences on modern day development issues, linking them to the themes, characters, scenes amongst other things in existing works of literature. I hope this helps the understanding of how fiction writers are using characters and themes to identify, critic, advocate and also compare local, national and global issues that are significant to international development.

Suggestions are highly welcomed!

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